Thanksgiving Tables

By Timothy Revis

When the Pilgrims and Native-Americans gathered for the first Thanksgiving in 1621, the prevailing style of English furniture was what would later be referred to as Jacobean – in reference to the fact that James IJacobean Stool was on the throne.  It is highly unlikely, however, that the Pilgrims themselves possessed a Jacobean dining table because dining tables as such did not exist at this point.  They very likely served the meal from boards laid across trestles.  Popular furniture pieces that did exist — such as stools, small tables and chests — were most often made of oak.  As Jacobean is a stylistic extension of Elizabethan, variations on earlier legs were favored including turned legs that terminate in a gradual tapering that is usually called a trumpet leg.  In the early seventeenth century these usually concluded on simple square block feet.  Later examples would finish on bun feet.
Thanksgiving was officially recognized in 1863 when President Abraham Lincoln recognized the last Thursday of November as Thanksgiving Day.  Popular furniture in the Victorian style held sway and the Lincoln family could have enjoyed their holiday meal on a round pedestal table.  Popular woods for such tables included mahogany or oak and the pedestals were often supported by hairy-paw feeVictorian Tablet or ball-and-claw feet.  By mid-century, accommodating additional guests would have not been a problem for the Lincolns as rack-and-pinion table extenders designed specifically for use on round tables would have become commonly available.
Thanksgiving continued to be celebrated on the last Thursday of November until the 1930s and 1940s when President Franklin D. Roosevelt first moved the holiday to the next-to-last Thursday of November in 1939, and then settled it on the fourth Thursday of November in 1941.  It has remained on the fourth Thursday ever since.  American interiors at this time were strongly influenced by the development of Colonial Williamsburg that had begun in the early 1930s.  Styles associated with the late eighteenth century such as Chippendale or Sheraton enjoyed strong revivals.     Just eleven years from now we will be celebrating the 400th anniversary of the first Thanksgiving.  What kind of table will you be using?  At Osborne Wood Products we offer you everything you need to create a fabulous table on which to enjoy a festive meal.  Begin by selecting a table apron set from us.  Then select a leg from among our inventory of over thirty dining table legs – each available in more than ten wood types – in order to build a dining table that can become a treasured heirloom.  You can choose to replicate a style that was popular at any point in the last four centuries or create something entirely new by designing your own leg.

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Kitchen Island Countertops: Combining Aesthetics & Performance

The kitchen is often called the heart of the home, but what is the heart of the kitchen? What else is the epitome of entertaining and family time than the kitchen island? For years, kitchen island countertops were made from granite, marble, or Formica without much room for creativity or design. Ten years ago, the fashion world admitted concrete and tile as acceptable countertops. In recent years, a countertop movement has occurred leading builders, designers, and home-owners to reconsider countertops in a whole new light.

Design has evolved the kitchen from an embarrassing “necessary room” to a substantial room where visitors are encouraged to linger. It stands to reason that the kitchen must reflect a sense of fashion and style similar to any other room in the home. In fact, the term “Live-In Kitchen” is receiving more usage in the design world to communicate the idea of the kitchen being a continuation of the home, not an isolated piece of it. In contrast to the clinical look of early countertops and kitchen islands, designers are seeing the merit of combining more than one countertop surface for different uses and accessibility. This not only allows for a dynamic kitchen design but a unique mixing of textures. Because wood countertops create softer transitions to other areas of the kitchen for a furnished look, the woodworking world is seeing more granite or marble islands with butcher block tops. Butcher block countertops are also gaining popularity because they are available in more exotic hardwoods such as walnut than just a simple maple.

Modern designers should not limit themselves to one wood type in a kitchen either. Kitchens with several wood types are becoming quite fashionable such as teak islands, cherry cabinets, and zebrawood serving sides. Earth-friendly wood such as recycled bamboo is also gaining momentum. If multiple wood types can be combined in a single kitchen, what other components might be fused into the room? Kitchens are now designed with stainless steel appliances and copper range hoods. Knobs and pulls are appearing in wood, copper, ceramic, stainless steel, cut crystal, and matte black. This design blends perfectly with unique items such as Osborne Wood Products’ Fusion Legs, available in a variety of wood types as well as metal finishes (including copper, chrome, and flat black). Perhaps the most popular of the countertop trends is glass due to its versatility and elegance. Glass is easily incorporated with many other elements without distraction. Glass countertops can be designed in tandem with cabinet doors and lighting fixtures and can blend well with appliances and woods. A kitchen combining multiple elements of wood, metal, and glass will definitely be described as in best taste in today’s designer market.

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Extension Tables

From the earliest historical records, the table has served as a centerpiece for family and communal gatherings. Beginning with the crude Egyptian and Greek renderings, the table gradually evolved into the rustic table of the first Thanksgiving. Eventually, tables transitioned to the gilded tables of the Middle Ages and Renaissance, and finally, to the stalwart, historic pieces of the early American colonies. Tables have evolved to the comforting cornerstone they are today, and we can be sure they will continue to evolve as history progresses.

For many centuries, dining tables were fixed tables; they did not move or extend. Introduced to England in the 16th century was the gateleg, or dropleaf, table. This tabletop had a fixed section and one or two hinged leaves, which, when not in use, folded down below the fixed section to hang vertically. Perfect for afternoon teas or bridge games, the gateleg table was popular for many years. However, it became obvious that the tables would not do for large dinner parties. A faulty hinge could create a disastrous scenario for an unwitting guest, and even when the hinged leaves were added, the tables could not accommodate more guests.

In the 17th century, mechanical, or extension, tables came into vogue. Evolving from the so-called Dutch system, (seen in Dutch engravings and paintings), extension leaves slid out on sloped runners under these tabletops. In the 18th century, it was customary for dining rooms to have several small tables throughout the room for a more private dining experience. In the latter half of the 18th century, it became more common for diners to sit at one large table. In order to support these tables, along with centerpieces, candelabras, and numerous heavy dishes piled high with food, many legs were needed for adequate support to the table. These legs quickly became a problem as diners could not comfortably sit at the table with so many legs going in every direction. In the 1780s, the problem was solved with the introduction of the pedestal dining table.

Today, table extension slides are available for four-legged and pedestal tables, and the advantages are clear. Whereas fixed tables are cumbersome to move from room to room and diners are trapped with whatever elbow-room they are lucky enough to find, extension tables provide diners with plenty of room and make the dining experience more enjoyable. Instead of buying many tables for every circumstance, one table can suffice for any occasion. The same table used for a romantic dinner for two can be extended to seat an entire family for a holiday get-together. Whatever the reason, one can rest assured that extension tables are always in best taste.

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Coffee Tables Today

Veranda magazine published an article in their September 2011 issue entitled “The World of Coffee Tables – A Guide To Our Favorite Finds.” The article explains the coffee table’s ability to help define a room and gives a lovely overview of various coffee table styles available from some of the top designers in the country. For those who may have missed the article, we hope you’ll find our response helpful and informative. Because coffee tables are such a lively centerpiece of any room they occupy, the process of selecting the perfect one to compliment your room, décor, and style can be a daunting task. The important point to remember is that style can be a relative term; selecting fabrics, colors, and themes of which you are fond, regardless of their “stylish status,” is essential.

Environmentally friendly minded consumers may enjoy the recycled materials used by companies such as Palecek. This distinguished company creates products which are largely plantation grown and use abundant, quickly renewable materials such as rattan, abaca, and seagrass which are more earth-friendly. Palecek also relies on water-based finishes for their paintable furniture, which in turn makes them safer for families as well as the environment. Palecek’s Brighton coffee table, featured in Veranda, makes quite an impression with its stainless steel legs and wood plank top.

Lovers of stainless steel products may find themselves enthralled with the product line of Inox New York from John Lyle.  This twenty-six year veteran has an extensive history working in bronze and steel and creates extraordinary pieces such as the reflective Dirac coffee table featured in the Veranda coffee table article. Inox New York specializes in highly polished stainless steel celebrated for its chic silhouette, flawless craftsmanship, and use of luxury materials.

If your style is reminiscent of old Hollywood with its timeless designs, classical forms, and modern sensibility, perhaps the designs of California native Madeline Stuart are right for you. Her Honore coffee table featured in Veranda accentuates both bronze and glass with an elegant French trim. Stuart’s company not only emphasizes timeless elegance and design but focuses on architectural restoration and remodeling as well.

Other coffee table styles to be explored for your home are rope formation techniques, such as those available through Christian Astuguevieille, salvaged hardwoods, resembling those one might find through Restoration Hardware, and cast stone with rustic effects such as those available through Formations. The themes, designs, and styles possible with these products, and others like them, are practically endless. One thing is for sure: the best of taste will be displayed in your home when the centerpiece, the coffee table, is the perfect architectural accent for all to see.

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Farmhouse Style Tables Get Reintroduced

In the past, the terms “farmhouse” and “style” may have seemed contradictory, bringing to mind images of clapboard houses without so much as a checkered tablecloth on the farm dining table. However, in recent years, there has been a revival of the farmhouse style, particularly in the kitchen which can lend itself
to the style easier than other rooms of the home. The style is now so popular that Osborne Wood Products, Inc. offers several farmhouse legs in the dining table, coffee table, and end table heights for that perfect farm table. Combined with open, airy rooms painted in light colors, the farmhouse leg is the one-of-a-kind complement to any home.
Farmhouse dining table legs offered at Osborne provide a picture-perfect, simple look to a farm table. The “distressed” or “antique” look is quite popular to give the farm table an older appearance, and the Osborne farmhouse collection lends itself well to this fashion. On the other hand, many prefer the humble, informal look portrayed with a gingham or checked tablecloth lightly thrown over the dining table. Mason jars, tin pitchers, or woven baskets filled with wildflowers provide the flawless centerpiece needed for a rustic, country farm dining table. Such simplistic farm tables also look right at home with an arrangement of cast iron or copper pots and pans nearby, and what farm table would be complete without a fresh apple pie cooling on a pie rack?
Farmhouse legs also look right at home on coffee or end tables, which can be used as various display areas for a plethora of rustic paraphernalia. In a kitchen, these tables may seem out of their element, but with a few “country additions,” they add the perfect air of simple sophistication. An end table customarily kept in the bedroom or den quickly becomes a work station for fresh herbs growing in bright flower pots for easy use by the chef. A coffee table normally confined to the living room becomes a beautiful display for patchwork quilts, lanterns, or other rustic memorabilia. Quilts also look perfectly natural draped over a rocking chair awaiting that special visitor to keep the chef company while meals are prepared. Likewise, farm tables, perhaps displaying lovely seasonal decorations, look right at home by a stone or wooden fireplace while marshmallows are roasted on a chilly fall evening.
In a time of crazy patterns, neon colors, and too many “bells and whistles,” the farmhouse collection at Osborne Wood Products, Inc. offers a peaceful and beautiful alternative. The farmhouse leg is the classic addition to a farm dining, coffee, or end table. This venerable style adds life to a tired room or piece of furniture with a quiet air of sophistication. The quality workmanship and attention to detail also ensures that these farm tables will be the center of attention for years to come and eventually become heirlooms treasured for generations. Whether the task at hand for the farm table is making cookies, hosting a craft party, or wrapping Christmas presents, the Osborne farmhouse collection is the classic solution.
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Types of Molding for the Kitchen

When remodeling a room, one of the main goals is to make the room as aesthetically pleasing as possible. One of the elements used to achieve this goal is crown molding. Not only does crown molding offer a room style, but it also sets the tone of the room by naturally reflecting light, adding dimension to the room, and creating a look that is pleasing to the eye. The simple addition of architectural crown molding can transform the entire atmosphere of a room. It is commonly placed as a lining where the ceiling and wall meet; however, it can be used in furniture, such as bookshelves and desks, to add a certain elegance and appeal. Crown molding is also commonly placed on the tops of upper cabinets, whether they are in the kitchen, bath or perhaps an entertainment built-in. When crown is installed on a cabinet and also on the wall the effect will create added dimension and a sense of layering within the room. While adding cabinet crown molding has benefits, the designer must be aware that over-coverage of crown molding will inevitably make the room feel smaller.

Various designs of architectural crown molding will achieve consistency of styles within the home. At times a designer should be advised to use a more ornate style of crown on cabinetry while using a more subdued version on the walls. Also, when choosing cabinet crown molding it could be advantageous to wrap an accent piece (such as a hood) in a larger crown and use smaller crown on the standard upper cabinets. Osborne Wood Products currently provides a wide selection of cabinet crown molding spanning from contemporary to traditional in numerous styles and wood types. Some of the more popular designs offered are the Acanthus Leaf and Basket Weave molding.

Another molding type which adds class to a room is light rail molding. This is often used to conceal lights placed under upper cabinets, though is not limited to only serve that function. The light rail molding is valuable because of its beautiful design which completes the look of the upper cabinets by diffusing the lighting underneath. To save the trouble of lining every inch of the molding up perfectly, it is recommended that the light rail molding not be recessed any less than one half of an inch. Light rail molding usually is offered in two application styles, one style is used when the cabinetry is built in a European style (without face frames) and the other style is built for cabinetry that has face frames. It is important to understand the difference as they are installed differently. Light rail molding can range from a plain strip of molded wood to tall carved pieces that demand attention. While the function of the light rail is always achieved no matter what design is chosen, it is important to choose a complimenting design that will not look out of place and tie other elements, such as the crown molding, in.

Two of the styles that Osborne Wood Products offers in light rail molding are the Greek Key design and the Traditional Egg and Dart pattern. In the past, Greeks used molding as structural decoration that created ornamental effects with light and shadows. It was also used inside edifices to divide surfaces into smaller parts for visual interest. The Romans later took the Greek’s design and simplified it. The elliptical shape of the Egg & Dart design was transformed into a more circular shape which later on evolved into many other designs spanning from the more complex to the simple.

Understanding how to choose molding within a kitchen is a skill that is achieved with precision and only improved upon with experience. A designer may want to look through millwork catalogs to familiarize themselves with the different kinds and designs of wood molding.

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Osborne Presents Fusion Legs in Toronto

Toronto Showroom Osborne Wood

A New Showroom at Designers' Walk, Toronto

Osborne Wood Products sponsored kitchen design related talks at Designers Walk in Toronto on May 13.  The talks were presented by Osborne spokesperson Tim Revis.  Revis, whose background is historic preservation and interior design, addressed the history and evolution of the twentieth century kitchen for the first talk.  This was followed by a review of the kitchen and bath design trends as seen in current issues of shelter magazines.  Revis led a discussion of the group that focused on which of the emerging trends had actually been used by any of the designers present along with open dialog on those trends that might endure compared to those that are merely fads.  Osborne hosted a luncheon following the talks that gave the attendees and opportunity to continue the designers an opportunity to continue the conversation about kitchen and bath trends.

This represented the second year Osborne Wood Products has hosted an event in Toronto for Canadian designers.  Osborne maintains two display booths at Designers Walk, t

New Fusion Legs

The New Fusion Legs at Osborne Wood Products

he major to-the-trade design resource in the region.  One of the booths carries a broad selection of the Osborne inventory while the other shows Osborne products incorporated into design projects including a fireplace mantel, mirror frame and other pieces of

furniture.

Revis also introduced the audience to Osborne’s newest product line: Fusion LegsFusion Legs integrate traditional styling with contemporary components to create a 21st century look that works equally well in traditional, transitional or contemporary design projects.  The legs incorporate metal elements and various finishes to blend materials within a single component such as a kitchen island leg.

The first of the new designs is the Solaris leg: a square leg that is composed of an oval metal element situated between and the upper wood block and lower tapered wood shaft of the leg.  The Solaris will be available in a variety of nine wood types with a selection of five metal finishes from which to choose.  The second leg to be offered is the Electra leg.  The Electra is a highly shaped square leg that includes two wood elements separated by a shaped metal element at the knee and finishing with a shaped metal element at the foot.  The Electra metal elements will also be available in five finishes and will have eight wood type options.  Both the Solaris and the Electra may be ordered in 34.5” or 35.5” heights.

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Build Your Own Table with a Do It Yourself Table Base Kit

There are two good reasons why you might want a custom built table: you have unique dimensional requirements; or you want a one-of-a-kind table that you will never encounter in someone else’s house.  You can acquire a custom made table by working with a cabinetmaker.  There is, however, a less expensive alternative to be found by creating your table with a do it yourself table base kit. Osborne Wood Products offers build your own table base kits that supply everything you need except the tabletop itself.  These table base kits are unfinished and easy to assemble.

Typical table base kit components by Osborne Wood Products

The process is easy.  You should begin by considering the type of table you need: end table, coffee table or dining table to name a few.  Then define your ideal dimensions.  This is the real joy of custom table work; you can make it as large or small as you want.  (Osborne recently built a 21’ long table with their table base kits – view the video of the results here).  You can further indulge in tailoring your table through your selections for leg designs and wood types.  You also have some options for the edges of the table aprons or table skirts for your table.
The tables are easy to finish and assemble – I promise.  I had never built anything in my life until this past winter when it was decided that our office – a group of furniture making novices if ever there was one – decided that we would order, build and finish a table for our conference room.  We filmed the entire process; you’re welcome to view it here.  The order was not given any special attention; what we received was exactly what you would receive if you were to order an Osborne table base kit.  Our marketing director probably had the most experience, but he is not what would be termed an expert.  Still – within the course of an afternoon – we assembled and finished the table with a high quality hand waxed finish.  It was actually fun.  And the finished product was custom sized to meet our specific room dimensions in addition to the fact that we all have a sense of pride in this table.  (We love showing it off to visitors and telling them that we built it ourselves from one of our own do it yourself table kits).
You should check out Osborne table base kits for yourself.  The online ordering process is as simple as possible – and if you have questions you can always contact one of the customer service representatives who will be more than glad to walk you through the process.  I have to say that even though I am probably not going to make a habit out of making my own tables I will very likely build another one at some point.  It’s a good way to enjoy the benefits of custom work without the expense associated with tailoring.

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Past and Present: The Acanthus Leaf Motif

In the pantheon of time-honored design motifs, those based on the acanthus leaf are surely among the most enduring.  The word “acanthus” actually describes the genus of the plant, of which there are more than thirty species.  It is the symmetrical lobed-and-toothed leaf of the acanthus mollis in particular that has served as the inspiration for acanthus styled embellishment on architectural work dating back to ancient Greece.  Although its broad popularity has risen and fallen at various points in time, there is no time in the intervening years when the acanthus motif has entirely disappeared from favor.  Rather, it has been expanded upon and included in novel ways.

The symmetrical and lobed acanthus mollis leaf has served as a design motif for thousands of year

Example of English use of acanthus scroll -- Mid-1600s

The popularity of the acanthus leaf has also transcended its own natural habitat – the mild areas of the Mediterranean coast – by enjoying long-term popularity as the basis for a stylized design all across Europe.  This is particularly true in England where – promoted first by Inigo Jones and then later by Christopher Wren — the seventeenth century saw the acanthus leaf rise to prominence as the hallmark of expensive good taste that included hand-carved acanthus leaf balusters along with crown molding and pilasters that bore the acanthus motif.  At the height of the enthusiasm for all things classical – continuous scrolls of carved acanthus leaves replaced balusters for those who could afford the indulgence.

 

Acanthus leaf tile by Ravenstone

Throughout time, the acanthus leaf design has served as the keynote

Acanthus leaf crown molding by Osborne Wood Products

piece of the Corinthian order and as a running motif of architectural friezes in addition to being utilized on the rolled sections of chair legs and arms in furniture.  It often served as a design foundation for the elegant and lavishly detailed illuminated manuscripts of the Middle Ages.  It is often the popular foundation for design motifs on wallpapers and textiles during almost every period. And although its associations are strongly classical, even the Arts and Crafts movement of the nineteenth century made use of it as is seen in the fabric and paper patterns designed by William Morris.  This period – with its emphasis on simplicity and clean lines – even produced ceramic tiles with an acanthus design that remain popular and collectable to this day.

At the present time, the acanthus leaf continues a strong presence in papers, fabrics and ceramics.  Ravenstone Tiles, for example, produces very charming 4” x 4” tiles with the acanthus leaf pattern.   It also remains a very popular design for carved wood moldingOsborne Wood Products includes the acanthus leaf carving on numerous products including crown molding, corbels and table legs.

In a world where taste is historically fickle and nothing lasts forever, the acanthus leaf may have proved itself to be the exception.  While it is undeniably the very essence of classical design, it has been shown to be adaptable and easy to update so that it may appear timely and tasteful in practically any setting.

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Current Kitchen Design Trends

A large number of the talks I have given during the first part of 2011 have dealt with current and emerging trends in kitchen design.  Some of the current trends are continuations of trends that have been in place for five years or more and others are relatively new.  An examination of the current state-of-the-kitchen for the past twelve months reveals some interesting facts.  For example: in 2010, 75% of the custom kitchen cabinets made were considered to be traditional; the remainder was either transitional or contemporary.  2010 saw cherry as the most popular wood but maple is expected to outstrip cherry in 2011.  This information, of course, relies on data reported by participating cabinet shops and kitchen designers but given the large number of industry participants the figures should be viewed as reliable.  There is, however, a question of terms.  What exactly is meant by the words “traditional,” “contemporary” or “transitional” when applied to kitchen design?  The fact of the matter is that – strictly applied – a traditional kitchen in the first half of the twentieth century would have had a fairly uniform appearance from one house to the next without regard for the overall style or architecture of the house.  Also – contemporary is only contemporary to the time in which it occurs.  Generally speaking, the present use of the word “traditional” when applied to kitchen design is referring to some sort of design parallel to a finished interior that includes a noticeable level of architectural ornamentation – and the ornamentation includes pieces from the standard stock of embellishments that are historically associated with more formal rooms such as entrance halls or perhaps libraries.  The word “contemporary” presently implies an absence of milled ornamentation or an emphasis on line versus embellishment.  “Transitional” design is an attempt to pleasantly use elements from both of the other categories.  A transitional kitchen design, for example, might well include finely milled and embellished cabinets but make no effort whatsoever to disguise the appliances behind cabinet fronts.

The interesting point is that this discussion of traditional-contemporary is now becoming a sixty year-old conversation that was begun in the 1950s as a result of the introduction of the eat-in kitchen concept that itself was made possible because of advances in heating, cooling and ventilation.  Be that as it may, the present day discussion includes – as mentioned earlier – some continuations of long-term trends as well as some genuinely new ideas.  One enduring trend – one that goes back to the 1990s – is the continuing design conceit of designing the kitchen island to be visually independent from the rest of the kitchen cabinet work.  In the 1990s this was achieved by finishing the island differently: the island itself often carried the same millwork as the cabinets.  At the present, however, the millwork and the finish on kitchen islands vary from the design of the perimeter cabinetwork.

Another continuing trend – about five years old – is the idea of giving built-in cabinet work the appearance of freestanding furniture.  This is achieved by applying cabinet height or

Creating the appearance of furniture; Island with notching and legs. (Designer's Notebook: Kitchen & Bath Design News March '11)

island height legs to the fronts of cabinets or by installing furniture feet in the toe kick area.  The same application of legs is done with kitchen islands, and islands often use an exaggerated depth in the toe-kick area to build on the appearance of a freestanding chest.

Although bar height dining spaces continue to be included in many kitchen designs, the strong emerging trend for the past five years has been either to replace them with – or at least include – table height dining.  This is often attached to the end of the kitchen island and – using the current desire for the appearance of furniture – uses dining table legs to create the appearance of a table pushed up against the end of the island.

Notching counter surfaces and then setting furniture legs below the notches has been seen for two or three years now.  Originally seen on the four corners of islands, this design is now used on the running counter areas to good effect.  Step-outs with notch emphasized corners are used in front of the sink or to visually reinforce the cooktop area.

One of the sub-categories of traditional design that currently appears in shelter magazines is “cottage” style kitchens.  This term does not have a single agreed-upon application but it appears to be used to describe a kitchen of normal proportions

Shelves on simple brackets in place of upper cabinets ("Simple Country Kitchens" This Old House - April '11

that is taking a number of its design cues from 1940s kitchens – either real or imagined.  These kitchens often follow the traditional “U” arrangement with an island in the center.  Milled cabinet pieces such as simple wood brackets with ogee profiles – with only simple routing at most or with no carving at all – are used strategically below the upper cabinets.  Exaggerated overhangs on islands often receive the same simple brackets.  In some instances, several – or all – of the upper cabinets are replaced by open shelves that are supported either by plain wood brackets or by metal brackets.  In the cottage kitchen designs, metal brackets are often coordinated to the drawer pull hardware with the result that chrome and aluminum metals – long associated with contemporary design – are now appearing in work that is considered traditional.

One final, strong trend that has been seen for at least three years is the use – in larger kitchens – of a large cabinet that is compose of a counter height surface flanked by two cabinet towers.  The upper cabinets over the counter surface most often have doors with glass panels with the tower doors are solid.  This piece of furniture appears to be inspired by 1920s or early 1930s kitchen cabinets but is actually an attractive adaptation of the cabinet design used in butler’s pantries during that period.  Cabinets based on these designs are being included in large kitchens in a variety of creative ways.  One of the most interesting uses is that of a baking station.

On the mechanical and functional side of kitchens: energy efficiency and “green” continue to be the buzzwords at exhibitions.  On the high-end appliance side, the inclusion of built-in coffee systems has become almost expected.  Light fixtures that are situated over kitchen islands are getting larger and more prominent: the row of three to five small pendant lights over an island definitely has a dated appearance now.  As far as actual layout of the kitchen goes: there is a trend toward designing a compact kitchen within the larger kitchen – a space where the relationship between the stove, sink, and storage is compressed even though the overall space is large.  There is also a new trend toward creating an informal scullery area that is away from the food prep area.  This space is frequently designed to perform double duty.  It can be pressed into service for clean up during large scale entertaining.

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